The David Lean Lecture

The lecture series serves to carry on the legacy of the great director David Lean, one of the founders of the British Film Academy (as it was then known) in 1947 and continuing inspiration to many through his exceptional body of work. The David Lean Lecture in 2007 was presented by American Director David Lynch.

Previous lectures have been delivered by:
2007: David Lynch
2006: Oliver Stone
2005: Woody Allen
2004: John Boorman
2003 Ken Loach
2002 Robert Altman
2001 Sydney Pollack

The 2009 lecture will be given by Atom Egoyan. Over the course of three decades at the forefront of the international film industry, Egoyan has become one of contemporary cinema’s most celebrated auteurs. With feature films including The Adjuster, Calendar, Exotica, The Sweet Hereafter, Felicia’s Journey, Ararat, Where the Truth Lies and 2008’s Adoration Egoyan has garnered countless prizes and nominations, led by Grand Prix and International Critics Awards from the Cannes Film Festival and two Oscar® nominations for The Sweet Hereafter.

Egoyan’s elegant and inventive films feature lonely hearts and isolated figures of unfulfilled desire in often surreal and gloomy scenarios, yet all of his characters are redeemed by his extraordinary compassion for them and insight into their thoughts and feelings. His films are a rare mix of intellect, style and great heart.

Following the UK premiere of his Chloe at the London Film Festival, Egoyan joins the Academy for the prestigious Lean Lecture. With generous support by the Lean Foundation, the lecture is an event in which the world’s most celebrated and compelling directors provide insight into their experiences and into their unique take on cinema and the industry.

Where:
BAFTA
Princess Anne Theatre, 195 Piccadilly, London W1J 9LN

When:
7:45pm Friday 23 Oct, 2009

Become a part of world history! To mark the Blu-Ray release of The Prisoner the first 125 Network customers who pre-order the Blu-Ray edition from the Network web site will receive a pair of tickets to "The Prisoner All Nighter", an all night extravaganza taking place at the Prince Charles Cinema in Central London on Saturday 26th September 2009 starting at 8.30pm, where every episode of The Prisoner will be screened in High Definition for the first time anywhere in the world. Will you still feel like a free man after being subjected to 17 TV hours in the village plus special guests who appeared in the show?



To obtain tickets you simply need to purchase a copy of The Prisoner the Complete Series (RRP £59.99) fromwww.networkdvd.co.uk.

• Tickets to this event for the pre-order DVD will be issued on a first come first serve basis.
• As well as these special tickets each attendee will also receive a 1967 reproduction ITC brochure exclusive to this event.


The Prisoner All Nighter will be opened by Prisoner Loudspeaker Announcer Fenella Fielding and closed by an additional special guest. Attendees will also be entered into a prize draw t win some unique Prisoner merchandise.
Please note the Prince Charles Cineme are NOT taking any bookings for this, to obtain a ticket you MUST go via www.networkdvd.co.uk


Where
The Prince Charles Cinema
7 Leicester Place, WC2
Just north off Leicester Sq & up from Häagen-Dazs

When
8:30pm, Saturday 26 September, 2009

Curzon Cinemas is proud to welcome ANDREA ARNOLD in a post screening discussion along with the film on Sunday 13 September 3pm at Curzon Soho.

Justly picking up another Cannes Grand Jury Prize, Andrea Arnold’s follow-up to Red Road is an intense and surprising story of love, lust and family.


Fifteen-year-old Mia (Jarvis) is at war with everything: her family, her school, and the girls on her estate. Her one release is dancing, a passion that she practices in secret. Things change when her mother (Wareing) introduces charismatic new boyfriend Connor (Fassbender, Hunger) – but Arnold’s subtle and unpredictable script keeps us guessing as to just what influence the newcomer will bring to bear. Drawing a fantastically raw and yet immensely accomplished performance from newcomer Katie Jarvis, Arnold, who draws on her own background growing up in London’s East End, has crafted a potent and poetic British film that places her at the vanguard of world cinema.




Where
Curzon Soho
99 Shaftesbury Avenue, London, W1D 5DY

When
3pm, Sunday 13 October, 2009

Curzon Cinemas is delighted to welcome director and writer Park Chan-wook to discuss his latest film in this post screening Q&A.

A priest becomes a vampire… another man’s wife is coveted… a deadly seduction triggers murder. Sang-hyun (played by top Korean star Song Kang-ho, The Host) is a priest who cherishes life so much that he volunteers for a secret vaccine to eradicate a deadly virus. In the process however, he becomes infected by vampire blood and his faith is tested further when a childhood friend’s wife, Tae-ju (Kim Ok-vin), comes to him asking for help. Sang-hyun soon plunges into a world of sensual pleasures, finding himself on intimate terms with the Seven Deadly Sins. The new film from acclaimed director Park Chan-wook (Old Boy) was jointly awarded the Cannes 2009 Jury Prize.




Where
Curzon Soho
99 Shaftesbury Avenue, London, W1D 5DY

When
6:10pm, Monday 5 October, 2009

One of the most daring and talented actors of her generation comes to the BFI to discuss her diverse slate of work.



When she first appeared in feature films, Julianne Moore garnered much attention for her talent and her presence on screen, with roles in films such as Short Cuts (LFF 1993) and [Safe] (LFF 1995). A number of Oscar nominations and a slew of other awards followed, for her roles in Boogie Nights (LFF 1997), The End of the Affair, Far from Heaven (LFF 2002) and The Hours. By cleverly positioning her career across both the mainstream studio system and independent film, Moore has been able to use her status at the box office to help independent directors find funding for projects that otherwise may not have been made. Although she always brings individuality and originality to the diverse range of roles that she chooses, Moore has a rare skill of being able to play characters in a natural and believable way that audiences often relate to, whilst at the same time highlighting the complexities of a character (few other actors could play a porn-star cokehead with such tenderness and sensitivity). The range and diversity in her talent are especially evident in her portrayal of a wife and mother in Atom Agoyan's Chloe and almost the antithesis of that in Tom Ford's A Single Man. Timothy Smith







Where
BFI NFT1

When
18:30 Fri 23 October

To coincide with the BFI's 'Fight the Power: Do the Right Thing in Context' season, the BFI are pleased to announce that Spike Lee will be interviewed on-stage by David Lammy MP. The interview will focus on Lee's career to date, as well as exploring his thoughts around Do the Right Thing, 20 years on from its original release.

 NB - Do the Right Thing screens at 18:30 in NFT1. Tickets to be booked separately.
The Independent Interview with Spike LeeMonday September 21, 2009 at 8:45pm
BFI Southbank NFT1
Belvedere Road
London, England SE1 8XT Get Directions

onedotzero_preview: Up 3D + Q&A with Pete Docter & Jonas Rivera

 Carl Fredericksen, a curmudgeonly 78-year-old balloon salesman, is not your average hero. When he ties thousands of balloons to his house and floats to the wilds of South America, he finally fulfills his life-long dream of adventure. But on discovering an 8-year-old stowaway named Russell, an unlikely duo, they soon find themselves on an hilarious journey in a lost world filled with danger and surprise.



The BFI are delighted to welcome director Pete Docter and producer Jonas Rivera for a Q+A after the screening of this Cannes-opening crowd pleaser.

Oliver Parker directs a strong cast in this adaptation of Oscar Wilde's classic novel of youth, excess and vanity. Adored for his beauty, Dorian Gray can seemingly have anything or anyone his heart desires. When this power is captured in a painting, Dorian wonders what he wouldn't do to stay as beautiful. As the painting begins to show the excesses of an indulgent lifestyle and Dorian himself stays ageless, it seems his wish come true...

The BFI are pleased to announce that this preview will be followed by a Q&A with director Oliver Parker and screenwriter Toby Finlay.

Preview: Dorian Gray and Q&A with director Oliver Parker and screenwriter Toby Finlay
Wednesday September 9, 2009 at 6:20pm
BFI Southbank NFT1
Belvedere Road
London, England SE1 8XT

!!JUST ANNOUNCED!! Robot Chicken Premiere and Q&A Seth Green via Webcast

It’s time, once more, to get ANIMATED!

Teaming up with popular cable channel Adult Swim, and the London International Animation Festival, Curzon Soho bring you a night of titillating, shocking and absurd animations on the big screen. Check out the premiere of Robot Chicken Season 2. Brain child of Seth Green, the skits play around with cult film, cult TV and celebrity personalities. We also present a special selection of freaky animations as a taster for the LIAF which starts on 31st Aug at Renoir Cinema.

Before the film we will be hosting a Q&A via webcast with Seth Green. Come prepared with your questions whether it be anything Robot Chicken, Buffy or Scott Evil!

Defying the usual conventions of film, RAGE is the new cinematic creation from writer-director Sally Potter. Using a radical narrative structure focused entirely on individual performances, RAGE consists of a dynamic series of interviews, as if shot by a schoolboy on his mobile phone. He goes behind the scenes at a New York fashion show during a week in which an accident on the catwalk turns into a murder investigation.

Fourteen actors, both celebrated stars and emerging talents, play characters who each have a role in the show, from the designer (Simon Abkarian) and his models (Lily Cole and Jude Law), the fashion critic (Judi Dench) and photographer (Steve Buscemi), to the fashion-house financier (Eddie Izzard) and his bodyguard (John Leguizamo).

The radical style of RAGE is embraced in its unique distribution strategy, with the film premiering on mobile and internet alongside its digital screen and DVD release.



The premiere event will be broadcast live by satellite from London's BFI Southbank to dozens of cinemas across the UK. You can be part of the satellite broadcast of the Q&A after the film, sending your questions by Skype video and SMS direct from your local cinema live to Sally Potter and members of the RAGE cast, including Jude Law, Eddie Izzard and Lily Cole

RAGE (15)
A Film by Sally Potter
With Interactive Q&A Live via Satellite
Thursday 24 September, 8.30

The premiere event will be broadcast live from BFI Southbank. You can be part of the satellite Q&A by sending your questions via Skype video and SMS to Sally Potter and members of the RAGE cast, including Jude Law, Eddie Izzard and Lily Cole (line-up TBC).

The full schedule for Movie Con 2 can be found over here on Empire's website. Below are my highlights from day 2:

Day 2 started with a flash of fury, explosions and red metal, that's right! Some seriously awesome clips from Iron Man 2 were on display introduced by Robert (I'm in town to shoot some additional scenes for Guy Ritchie's Sherlock Holmes) Downey Jr. Unfortunately I was late and missed what was a highlight of day 2.


The legendary Kim Newman ran his now infamous Movie Quiz with the precision of a T800 which was loads of fun. One of the prizes was for a winner's name to be used in Mr. Newman's next novel.

Next up was a clip from the super tense Hurt Locker and Q&A with Director Kathryn Bigelow and screenwriter Mark Boal. Loosely based on Boal's experiences in Baghdad. Hurt Locker is refreshingly direct and will keep you on the edge of your seat. It could be seen as a natural progression to Point Break.

Optimum rolled out a hilarious and heartwarming presentation for Bunny And The Bull. Hosted by Director Paul King and Star Simon Farnaby. If you are looking for something that lands somewhere between a holiday, run by The Mighty Boosh filmed by Michel Gondry.

"Bunny & the Bull is a road movie set entirely in a flat. Stephen Turnbull hasn't been outside in months. Living with a painfully restrictive routine, he refuses to interact with the world or think about the past. When a sudden infestation of mice forces him to change his ways, he finds his mind hurtling back to the disastrous trek around Europe he undertook with his friend Bunny, a womanising, gambling-addicted booze-hound. Unable to stem the flood of memories, Stephen’s flat becomes the springboard for an extraordinary odyssey through landscapes made up of snapshots and souvenirs, from the industrial wastelands of Silesia to the bull fields of Andalusia. A story of love, disillusionment, stuffed bears and globalised seafood, Bunny & the Bull is an offbeat and heartfelt journey to the end of the room."

Next Director/Writer Stuart Hazeldine introduced Exam.


"Eight talented candidates have reached the final stage of selection to join the ranks of a mysterious and powerful corporation. Entering a windowless room, an Invigilator gives them eighty minutes to answer one simple question. He outlines three rules they must obey or be disqualified: don't talk to him or the armed guard by the door, don't spoil their papers and don't leave the room. He starts the clock and leaves. The candidates turn over their question papers, only to find they're completely blank. After the initial confusion has subsided, one frustrated candidate writes 'I believe you should hire me because...,' and is promptly ejected for spoiling. The remaining candidates soon figure out they're permitted to talk to each other, and they agree to cooperate in order to figure out the question: then they can compete to answer it. At first they suspect the question may be hidden in their papers like a security marker in a credit card, and they figure out ways to change their environment to expose the hidden words. But light, liquids and other plans all come to naught. Soon enough, the candidates begin to uncover each other's background, prejudices and hidden agendas. Tensions rise as the clock steadily descends towards zero, and each candidate must decide how far they are willing to go to secure the ultimate job." Tense stuff.

The end of the day closed with a 3D spectacular! You should know that I love 3D! Even the crappiest film in the world can become wonderful by either showing it in IMAX or 3D format. I have never seen a bad 3D film at the IMAX. Even the big screen 3D trailers are Worth the entry alone. So what if this new push towards 3D was engineered by Hollywood marketeers to revitalise the industry and shaft Movie piracy. I love it. The final hour and a half of of Movie Con was spectacular. In order:

Disney presented; The trailer & loads of footage from the mind boggling A Christmas Carol, the trailer for Toy Story 3, and footage from the much talked about Up.

Welcome back Flynn!
Then we were shown the 3D trailer/footage from Tron Legacy ! This was the same bootleg footage that haunted the net after Comic Con last year and was recently released onto the net in high def. Except that this was in 3D on a BIG screen! Tron Legacy looks like it will be worth the 27 year wait.



Finally we were treated to footage from Jim Cameron's 4 years in the making AVATAR. Stolen from Empire's blog:

"James Cameron recorded a short introduction, just for Movie-Con II, to two scenes of footage from Avatar, due out in December. We wouldn’t be exaggerating too far if we say that jaws hit the floor. The first, short scene gave a flavour to the threat in the film: Stephen Lang’s Colonel Quaritch explaining to newcomers just how dangerous the world of Pandora is, and telling them frankly that they won’t all make it out alive. Then we saw Jake Sully’s (Sam Worthington) Avatar alive and working in the jungles of the planet. Having faced off one rhino*/hammerhead shark added by me:)*-looking beastie, he’s surprised by the much more dangerous spider-lynx looking monster, and a spectacular chase scene occurs. We also get a glimpse there of Sigourney Weaver’s Grace in action: check the next issue of Empire for more on that.

Naturally, we had to see that again, so we rewound and went for a second go." The team also let us know that there would be more & different footage shown on AVATAR day this Friday. Info here!

All that is left for me to say is thank you Empire & BFI. I had a wonderful time. Next year please bring some display cases and props with you. I'm just saying.

Mr. Quentin Tarantino names his 20 favorite movies released since the year he became a director himself.

Battle Royale
Anything Else
Audition
Blade
Boogie Nights
Dazed & Confused
Dogville
Fight Club
Fridays
The Host
The Insider
Joint Security Area
Lost In Translation
The Matrix
Memories of Murder
Police Story 3
Shaun of the Dead
Speed
Team America
Unbreakable

On Wednesday 23rd September, Terry Gilliam will be talking, at an exclusive event at the Soho Hotel in London, about the people, relationships and film moments that made him the eccentric genius he is today.

The Soho Hotel
4 Richmond Mews
London, England W1D 3DH

Today the much anticipated Movie Con 2 kicked off. I'm still reeling from the mind blowing Film goodness of day 1.

The BFI & Empire Magazine have pulled off another collaborative coup for film lovers. The second Movie Convention is heading to all time greatness.

Movie Con is a annual collaborative effort between the BFI & Empire Magazine. It takes place just after after Comic Con (San Diego) at the BFI on the Southbank in London. This means that the organisers can cherry pick the best of Comic Con as well add some good stuff. It's held for film fans and the core content covers forth coming features in the Super Hero, Horror, Fantasy, Sci Fi, blood and Cult genres.

Empire have a much better run down of today's schedule over here. But today's events have roused me from my Blog laziness of late and mention must be made of some of the key events:

Trailers & footage from Astroboy. Over the last 18 months I have been hearing the buzz about the animated Astroboy feature but had no real interest in this remake of a 60s Japanese TV show. After today's clips I'll be seeing this gem. It will enthrall kids & older kids alike. It had the audience oohing, aahing & laughing in all the right places.




Harry Brown Presentation. Harry Brown is a new film from British filmmaker Daniel Barber and stars Sir Michael Caine. The film is about an elderly veteran that due to circumstances decides to do something about his neighbourhood that has been over run by young yobs.

Coming across as a modern day version of Michael Winner's Death Wish with big boots, genuinely threatening yobs, knuckledusters and big guns. The clip we saw made it clear this was a quality production with outstanding performances Sir Michael and the blinding Sean Harris as a very, very scary low life (think Drexel nastier brother, the love child of Travis Bickle & Myra Hindley on crack). I recently saw Tonto Woman the brilliant short that Daniel Barber adapted from an Elmore Leonard story. He received an Oscar nomination for it. I'm looking forward to seeing Harry Brown in full as well as anything else Daniel Barber serves up. Think Peckinpah with a social conscience.



Next up the indomitable genius "Still not a Sir" Terry Gilliam showed us some mind melting clips from The Imaginarium Of Doctor Parnassus. Seems to be a true return to form for Mr Gilliam whose tribulations of getting his film made rival anything you have seen on screen. Doctor Parnassus recaptures the magic of Time Bandits and The Adventures of Baron Munchausen with a dash of sensibility from The Fisher King.

* When re-watching the classic Spies Like Us keep an eye out for Terry Gilliam as Dr. Imhaus.



Kick Ass Presentation. Put together by the Stardust team & Brad Pitt, independently financed, directed by Matthew Vaughn, written by Jane Goldman (Mrs Johnathan Ross but a super talent in her own right) & Mark Millar. Kick Ass promises to turn the Super Hero genre upside down. Referencing the both comic & film super heroes, eastern sensibilities and the slacker/Clerks space. The Kick Ass clips shown deliver in the holy Triumvirate of modern super hero genre: high action, humour & blood stakes.

I was surprised thaty neither Jane Goldman or Matthew Vaughn did not pitch up but enjoyed Editor Jon Harris' presentation and chat with Christopher Mintz-Plasse (yes that's right McLovin) and Jason Flemyng. I'm slightly annoyed I didn't get a chance to quiz Flemyng about Clash of the Titans & Solomon Kane both of which I am eagerly waiting for.

The super secret screening
I guessed that this year's secret screening was going to be District 9 - D9. I have been curious about D9 for awhile Weta and Peter Jackson's name should have made this a dead cert but South African films tend to do emotional small films well and haven't really shone in the high action or sci fi genre as yet. D9 changes that - whilst being true to it's African setting it shines at being a high adventure sci fi romp that has it's roots firmly planted in complex social issues. Google "District 6" & "Africa xenophobia" for sight of the bigger picture.


Originally Jackson and Director Neil Blomkamp were to make HALO: Combat Evolved when that fell through they decided to remake an earlier Blomkamp short film "Alive in Joburg".


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* Sharlto Copley whio plays D9 lead Wikus Van De Merwe is not a trained actor and was a producer on Alive in Joburg.

Next up was Warner Bros screening of the Jonah Hex trailer. I've been waiting for this film for about 20 years.

Jonah Hex is a scarred Mad Max by way of Dirty Harry in the West that was on the wrong side during the Civil war. This makes fior an intresting character seeking redemption.

The trailer looked good but it could still go either way the newly added occult plot devices are a bit of a concern. I'm holding off on judgment for now.


Finally and "saving best for last" Robert Downey Junior & Guy Ritchie made an appearance to introduce an extended trailer for Sherlock Holmes. They were in good spirits and played off each other like a comedic duo rather than Star and Director. And well they should be in high spirits the Sherlock Holmes footage was everything it needed to be. My only query would be that it seemed fairly light and didn't really show any darkness that usually haunts Victorian era pea soap London. Possibly emulating the very successful Iron Man's formula? I'm holding thumbs.

White Lightnin’ Special Preview and Q&A with director Dominic Murphy in London

Electric Sheep Magazine presents weird, wild and wonderful films every first Wednesday of the month at the Prince Charles Cinema.

A dark, surreal semi-biopic about glue-sniffing, hard-drinking, hell-raising Appalachian mountain dancer Jesco White (impressively played by newcomer Ed Hogg), British director Dominic Murphy’s controversial debut feature takes us deeper and deeper into Jesco’s crazed visions and wild religious fantasies, culminating in horrific revenge and violent redemption.

We are delighted to welcome Dominic Murphy for a Q&A after the screening.

With thanks to Momentum Pictures. White Lightnin’ starts its theatrical run at the ICA and Rich Mix (Bethnal Green), London, on September 25.

Kathryn Bigelow's first feature since K19: The Widowmaker follows US Army Delta company, a squad of adrenaline-soaked explosive specialists in Baghdad as they detect, defuse and sometimes inevitably detonate I.E.Ds (Improvised Explosive Device). A visceral treat to complete the Movie-Con II weekend. The Hurt Locker trailer can be seen here


Movie Con II Preview: The Hurt Locker + intro by Kathryn Bigelow
Sun 16 Aug 20:45 BFI

When Terry Gilliam’s Tideland was awarded the FIPRESCI prize at Spain’s 2005 San Sebastian Festival, jurist Sergi Sánchez noted, ‘Gilliam’s was the only film that dared to propose a risky and radical image, without any concessions, on a specific matter: madness as the only way of escaping in the face of a hostile environment. All this is endlessly coherent with the director’s body of work, which has been frequently misunderstood by the critics, the industry, and audiences alike.’ The BFI reflects on just how Gilliam’s own brand of cinematic ‘madness’ has cast him as a true maverick, perhaps even caught on the cusp of genius, as they mount a comprehensive retrospective.


Born in Minnesota in 1940, Gilliam moved with his family to LA where he was brought up and, for a while, tried his hand as a (struggling) cartoonist. His chagrin at the US invasion of Vietnam was a catalyst for his move to England where he re-invented himself as an ‘animator’. Gilliam would often provide snippets of work for the BBC, which led to his meeting with the Monty Python team and the beginnings of his career as an imaginative and highly inventive director. In his first feature, Monty Python and The Holy Grail (1975), he and fellow director Terry Jones managed to transform the lack of money for hiring horses into a joke (coconut sound-effects accompaniment to knights miming riding) fondly remembered even now. This was followed by the medieval fantasy Jabberwocky (1977) and the smash-hit Time Bandits (1981). Then came his Kafkaesque feature Brazil (1985), starring Jonathan Pryce and Robert De Niro, which has become a cult classic.

In the years that followed, Gilliam declined the opportunities to direct blockbusters such as Who Framed Roger Rabbit and Forrest Gump, amongst others. He suffered battles with studios, abandoned projects and outrageous bad fortune – including, most recently, the death of one of his lead actors, Heath Ledger. Despite this he has managed to persevere and deliver truly individual curiosities in a field often dominated by bland and predictable fare and has always been able to turn a drawback into an advantage in his cinematic world that’s part fairy tale, part Hieronymus Bosch, but all Gilliam, and populated by a strange but oddly compatible group of fellow eccentrics. Whether he’s following The Adventures of Baron Munchausen (1988), The Fisher King (1991) or The Brothers Grimm (2005), his films can electrify audiences. Gilliam has never trod an easy route, his career path more obstacle race than 100-metre dash, but the results glitter with ambition and glorious imagination.

Universal Pictures is honoured to invite you to the European Premiere of Public Enemies.



On Monday 29 June, the stars of Universal Pictures’ PUBLIC ENEMIES, Johnny Depp and Marion Cotillard, and acclaimed film director Michael Mann, will be bring some ‘30s gangster glamour to the West End, when they attend the European Premiere at London’s Empire, Leicester Square.

Empire Cinema, Leicester Square
5-6 Leicester Square London
London, England WC2H 7NA

Debut director Johnny Kevorkian's superior London-set chiller
has rising star Harry Treadaway as Matthew, a teenager literally haunted by the disappearance of his young brother. A series of uncanny occurrences convince Matthew that something beyond everyday urban blight lurks at the heart of the mystery. And guess what? He's right. Kevorkian creates a dark mythology to transform familiar surroundings into something worthy of your nightmares.
There will be a Q&A with the filmmakers after the screenings on 17 & 22 June.
Dir Johnny Kevorkian, UK 2008, 96 mins, Cert tbc

ICA Institute Of Contemporary Art
12 Carlton House Terrace
London, England SW1Y 5AH