James Cameron in conversation

Avatar, Terminator, Stan Winston and what he’s been doing for the last 12 years

Avatar, Terminator, Stan Winston and what he’s been doing for the last 12 years.In a great guest blog, Scyfi Love’s man in London Craig Grobler – aka @ckc1ne on Twitter and a top bloke all around – tells of meeting up and spending three hours in the company of James Cameron ahead of the release of his latest blockbuster, Avatar. In that time Cameron and Craig talked about the origins of his most famous creation, The Terminator, his hopes for Avatar and the technology behind it, the death of Stan Winston and what the future may hold.

Cameron Talks

Craig Grobler
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Classic screening: Norman Jewison's Rollerball

In the not-too-distant future, wars will no longer exist...

Wha-hey! It's all happening this month. There have been loads of classic screenings from The Rocky Horror Picture Show, Once upon a time in the west and 3 of my all time favourite films; The Warriors, The Thing and now Rollerball. Action overload!

One of the best dystopian sci-fi movies to come out of the 70s, Rollerball focuses on an ultra-violent sport used to keep an overpopulated planet under control and probes its links to politics, the media and big conglomerates. When a star player refuses to obey the owners of his team, the stage is set for a Gladiator-like confrontation between a rebellious individual and the corporate power that seeks to crush him.






Where
The Prince Charles Cinema
7 Leicester Place, WC2
Just north off Leicester Sq & up from Häagen-Dazs

When
8pm, Wednesday 7 October, 2009

Tickets for Monday's screening of Disney's Crimson Flight & QA available

One lake, a million birds, an incredible story

In a remote and forgotten wilderness, one of nature's last great mysteries unfolds: the birth, life and survival of a million crimson-winged flamingos. Against the dramatic backdrop of unforgiving, never-before filmed landscapes, we follow the birth of a tiny flamingo hatchling, and the perils and fortunes of her life in the extraordinary 'other world' of Lake Natron in northern Tanzania.





The first title to be released under the new Disneynature label, THE CRIMSON WING will take you on a breathtaking and beautiful journey through a story that only nature itself could tell.

To download tickets simply go to www.seefilmfirst.com and enter code: 482610

The film starts at 6.30pm. Seefilmfirst tickets must be changed for cinema tickets at the cinema Box Office by 6.15pm. There will be a Q&A with the films producers and director at the end.

Where
Cineworld Haymarket
63-65 Haymarket, London, SW1Y 4RL

When
6.15 for 6:30pm, 21 September, 2009

Classic Screening: The Prisoner (All Nighter)

No Man Is Just A Number.

Become a part of world history! To mark the Blu-Ray release of The Prisoner the first 125 Network customers who pre-order the Blu-Ray edition from the Network web site will receive a pair of tickets to "The Prisoner All Nighter", an all night extravaganza taking place at the Prince Charles Cinema in Central London on Saturday 26th September 2009 starting at 8.30pm, where every episode of The Prisoner will be screened in High Definition for the first time anywhere in the world. Will you still feel like a free man after being subjected to 17 TV hours in the village plus special guests who appeared in the show?





To obtain tickets you simply need to purchase a copy of The Prisoner the Complete Series (RRP £59.99) fromwww.networkdvd.co.uk.

• Tickets to this event for the pre-order DVD will be issued on a first come first serve basis.
• As well as these special tickets each attendee will also receive a 1967 reproduction ITC brochure exclusive to this event.


The Prisoner All Nighter
will be opened by Prisoner Loudspeaker Announcer Fenella Fielding and closed by an additional special guest. Attendees will also be entered into a prize draw t win some unique Prisoner merchandise.
Please note the Prince Charles Cineme are NOT taking any bookings for this, to obtain a ticket you MUST go via www.networkdvd.co.uk


Where
The Prince Charles Cinema
7 Leicester Place, WC2
Just north off Leicester Sq & up from Häagen-Dazs

When
8:30pm, Saturday 26 September, 2009

Preview: Fish Tank and Q&A with director Andrea Arnold

Curzon Cinemas is proud to welcome ANDREA ARNOLD in a post screening discussion along with the film on Sunday 13 September 3pm at Curzon Soho.

Justly picking up another Cannes Grand Jury Prize, Andrea Arnold’s follow-up to Red Road is an intense and surprising story of love, lust and family.


Fifteen-year-old Mia (Jarvis) is at war with everything: her family, her school, and the girls on her estate. Her one release is dancing, a passion that she practices in secret. Things change when her mother (Wareing) introduces charismatic new boyfriend Connor (Fassbender, Hunger) – but Arnold’s subtle and unpredictable script keeps us guessing as to just what influence the newcomer will bring to bear. Drawing a fantastically raw and yet immensely accomplished performance from newcomer Katie Jarvis, Arnold, who draws on her own background growing up in London’s East End, has crafted a potent and poetic British film that places her at the vanguard of world cinema.




Where
Curzon Soho
99 Shaftesbury Avenue, London, W1D 5DY

When
3pm, Sunday 13 October, 2009

The Times BFI 53rd London Film Festival: Wallace & Gromit's 20th Anniversary

Master animator Nick Park discusses his illustrious career and helps us celebrate 20 years since Wallace & Gromit hit our screens.



As a child, Nick Park's career aspirations included being an artist for the Beano comic and an inventor. By far, his best invention has been Wallace & Gromit, who first appeared on our screens 20 years ago. In 1985, Park became an invaluable addition to Aardman Animations, and A Grand Day Out (which he began as a student at the NFTS) earned him his first of many BAFTA awards. Four Academy Awards followed, not just for his much-loved shorts Creature Comforts, The Wrong Trousers and A Close Shave, but also for his feature Wallace & Gromit: The Curse of the Were-Rabbit. Park's perfectionist attention to detail and his ability to infuse his plasticine characters with humanity and humour (not to mention giving an immense vocabulary and emotional range to a dog that never speaks a word) is testament to the genius of his imagination and to his unsurpassed talent as an animator. To celebrate Park's 'cracking' achievements we are delighted to be able to screen A Grand Day Out, digitally remastered for the occasion. Nick Park will be interviewed on stage after the screening by journalist David Gritten. Timothy Smith








Where

BFI NFT1

When
15:15 Sat 24 October

Friday Film Location: 28 Days Later, London UK

The Days Are Numbered

28 Days Later
Stars: Cillian Murphy - Jim, Naomie Harris - Selena, Brendan Gleeson - Frank, Christopher Eccleston - Major Henry West
Westminster Bridge as seen in 28 Days Later - Westminster, London













It has been twenty-eight days since Jim, a young bicycle courier, was knocked off his bike and injured in a car accident. When he wakes up from his coma, the world has changed. Four weeks after a mysterious, incurable virus spreads throughout the UK, a handful of survivors try to find sanctuary.

A critical and commercial success, 28 Days Later is widely recognized for images of a deserted London. It spawned the 2007 sequel, 28 Weeks Later, the graphic novel 28 Days Later: The Aftermath, and a possible third film.

28 Days Later features scenes set in normally bustling parts of London such as Westminster Bridge, Piccadilly Circus, Horse Guards Parade and Oxford Street. In order to depict these locations as desolate, police would close the roads at 4am and filming would begin immediately. It would last for one hour, and at that time the police would reopen the roads.
As well as having to deal with traffic, the producers also had to ask clubbers to find alternative routes home. In terms of the traffic, the producers correctly predicted that asking drivers to either wait for up to an hour or find another way might cause some considerable consternation. As such, they employed several extremely attractive young women (one of whom was Danny Boyle's daughter) to make the necessary requests. This plan had the desired results, as the drivers responded quite amicably to the young girls.

For the London scene where Jim walks by the overturned double-decker bus, the film crew placed the bus on its side and removed it when the shot was finished, all within 20 minutes.


Where:
Westminster Bridge, Westminster and South Bank, London SE1 and SW1


View Larger Map
Trivia:
It's not explained in the film but the infected are attracted to the tone in human voices.
The decision to film on DV (using Canon XL1 cameras) was both an aesthetic and a logistic choice.
- Danny Boyle felt that the harshness of the DV imagery suited the post-apocalyptic urban landscape and the grittiness of the film in general.
- All the scenes of the Infected in a particular style - using a type of slow motion feature on the Canon XL1 DV cameras with which the film was shot. Shooting at that speed on a film camera gives basic slow motion, but doing so on a DV camera produces the kind of staccato effect seen in scenes involving the Infected.
- "The police and the local authorities were quite happy to assist us because we could set up scenes so quickly. We could literally be ready to shoot with a six-camera set-up within minutes - something we would not realistically have been able to do if shooting under the restrictions of 35mm which takes a good deal more time to set up a single shot."

Westminster Bridge can also be seen in; Doctor Who (1964 & 2005), Monty Python's Flying Circus, 102 Dalmatians, Harry Potter and The Order of The Phoenix

Hitchcon'09 - Celebrating 30 Years of The Hitchiker's Guide To The Galaxy


Get yourself a ticket for the biggest party the unfashionable end of the galaxy has ever seen and join best-selling author Eoin Colfer – creator of criminal mastermind Artemis Fowl – and actor Simon Jones, the original Arthur Dent, in a celebration of 30 years of the late, great Douglas Adams’ classic British comedy. This’ll be your first chance to see, hear and buy the sixth instalment, And Another Thing... by Eoin Colfer.

With other out-of-this-world entertainment throughout the day – including special free screenings of the Hitchhiker’s series in The Clore Ballroom – this is one event no self-respecting lover of classic British comedy will want to miss.

One of the best dystopian sci-fi movies to come out of the 70s, Rollerball focuses on an ultra-violent sport used to keep an overpopulated planet under control and probes its links to politics, the media and big conglomerates. When a star player refuses to obey the owners of his team, the stage is set for a Gladiator-like confrontation between a rebellious individual and the corporate power that seeks to crush him.





Events include:
Photo Call
Start the day at a photocall of the largest number of Hitchhiker's fans ever.

Session 1: The Douglas Adams Chat Show
A full panel of Hitchhiker’s experts and friends of Douglas Adams discusses the great man and his work.

Booksigning: Mega-signing of the fantastic new edition of the first five Hitchhiker's novels.

Sessions 2 & 3 (And Another Thing... & Hitchhikers Live On Stage!)
The sixth book in the series, special guests and a live gig – Sessions 2 & 3 of our day-long celebration of The Hitchhiker’s Guide to the Galaxy.

Booksigning: Eoin Colfer
Buy the new sixth book in the series a day before everyone else and get it signed by Eoin Colfer.



Where
The Southbank Centre
Belvedere Road, London, SE1 8XX

When
Sunday 11 October, 2009

Duncan Jones's next film Mute & the fate of Sam Bell


By know you know that Director Duncan Jones's next film will not be an adaptation of "Escape from the Deep" as anticipated.

It sounds like "Escape from the Deep" the true story of a WW2 submarine crew that go to hell and back will be tackled after another forage into the Sci Fi with "Mute". More information about the Alex Kershaw book "Escape from the Deep" can be
found here http://www.escapefromthedeep.com/.

Mute
The Mute concept art released via Jone's Liberty Films website looks pretty damn spiffy and tantalising enough to keep Sci Fi fans wanting more. The artwork is very reminiscent of Syd Mead's conceptual art for Blade Runner. Interesting to note that the signage in the street scene says Fremde which is German for strange, but could also mean foreign or Alien. Jones has said that Mute is not about Aliens as such. I'm guessing that this scene is some high class clientele leaving a bar/club that caters for strange tastes. This is possibly the club that the lead's girlfriend works at before disappearing. Then again it could just be a street scene.



Mute is basically the other side of the coin from Moon. Moon is about isolation, loneliness, living on your own and having to find a way to deal with that.

Mute is based in a future Berlin, so it's a big city film, a thriller in a city that so full and so unfriendly in a way. It's going to be a very different kind of film - but a good companion piece.

Mute is a much busier, nosier kind of film. It’s a thriller based in a future Berlin…. If Moon is inspired by films like Outland and Silent Running, then Mute, is inspired by Blade Runner.

For twitter updates on everything Duncan Jones's including Mute follow:
@manmademovies

You can follow Duncan Jones here:
@manmademoon

You can follow Moon Producer Stuart Fenegan (One of Variety's 10 Producers to Watch) here:
@LibertyStu (Warning! Does not update much - yet)

The most media rich news can be found on the Liberty Films blog here:
http://blog.manmademovies.co.uk/

Follow the Moon Facebook Group here:

http://www.facebook.com/pages/manmademovies/151750620947

Action Overload! IP Man finally comes to the ICA

Everyone needs to choose his own path

An exclusive ICA release. A huge hit in China and Hong Kong, Yip Man or Ip Man is the semi-biographical account of Yip Man, the first martial arts master to teach the Chinese (as well as Bruce Lee) the martial art of Wing Chun.

The charismatic Donnie Yen plays the lead in this period tale set against the backdrop of the second Sino-Japanese War during the 1930s, and Johnnie To favourite Simon Yam also stars. Director Wilson Yip brings his customary dynamism to proceedings, although the man who really pulls it all together is the legendary Sammo Hung. His work here as action choreographer won a Hong Kong Film Award, as did the film itself.



In the scene above a Japanese General is giving out white rice to any Chinese person who defeats the Japanese fighters at a ratio of 1 bag per 1 defeated fighter.

Prior to this scene the General has killed Ip Man's friend (Sifu Liu) in a duel. Ip Man demands a fight with 10 of the black belts. Upon his victory, he refuses to take his reward, the 10 bags of rice and says "I did not come here for the rice". The General asks for his name and Ip Man replies "I am just a Chinese". The interpreter tells the General, "He is Ip Man".

Where
The Institute of Contemporary Arts (ICA)
12 Carlton House Terrace, London, SW1Y 5AH

When
2 - 22 Oct, 2009

The Times BFI 53rd London Film Festival: Clive Owen Talk

Held in the highest regard by everyone he's worked with, Coventry's favourite son comes to the BFI for a discussion about his career.



Straight out of drama school, Clive Owen landed a starring role in his first feature Vroom (LFF 1988) and within two years he was starring in TV crime drama Chancer. Concerned that he would be stereotyped into television roles, he chose to take a controversial role in Stephen Poliakoff's Close My Eyes which fed his desire to explore a more interesting career path in both film and theatre. Since then, Owen has taken particular care to work with scripts that he feels passionate about, and has the highest regard for the actors and directors that he works with. This strong work ethic has seen repeat collaborations with director Mike Hodges on Croupier and I'll Sleep When I'm Dead, and he has enjoyed working more than once with Julia Roberts and Paul Giamatti. The hard work was rewarded with both a BAFTA and a Golden Globe for his performance in Closer, and Owen went on to impress as anti-hero Dwight McCarthy in Sin City. His work on Children of Men was also highly acclaimed, and writer-director Alfonso Cuaron has personally credited Owen with contributing to the script. The Boys Are Back sees Owen in a very different acting role (as well as Executive Producer), and working once again with a wonderful script. We are very pleased to welcome such a dedicated actor to take part in the BFI Screen Talks series. Timothy Smith







Where

BFI NFT1

When
18:30 Thu 22 October

Peter Jackson's Crossing the Line shot on the Red One



A while back (2007) Peter Jackson directed a short film entitled Crossing the Line to test a new model of digital Cinema camera, the RED ONE. The film takes place during World War I, and was shot in two days. "Crossing the Line" was shown at NAB 2007 (the USA National Association of Broadcasters). Clips of the film can be found at Reduser.net.


The Red Digital Cinema Camera Company manufactures digital cinematography cameras and accessories for professional and cinematic use. The company's main product is the Red One, capable of recording at resolutions up to 4096 horizontal by 2304 vertical pixels, directly to flash or hard disk storage. It features a single Super 35-sized CMOS sensor and a cinematography industry standard PL mount.

The Red One does not capture at standard definition or high definition resolutions. However, as part of the process of delivering the raw image data recorded by the camera, the RedCine desktop software can downscale to these resolutions. This process yields extremely high-quality output due to significant oversampling.

On November 13, 2008, larger formats were announced, including a proposed expansion of up to 28,000 horizontal pixels, for a 261 megapixel sensor.

For comparative purposes click the image for a graphic representation of various shows the image resolution of camera outputs. Pixel range from NTSC to 28K resolution shown in comparison at one-tenth scale to other digital video formats. "K" means thousands and refers to the horizontal pixel count, rounded.

The Times BFI 53rd London Film Festival: Jane Campion Talk

The Oscar winning director comes to the BFI to discuss her impressive career.



There is often a deliberate ambiguity in a Jane Campion film which allows the audience to focus on what is unseen or unsaid and openly interpret the narrative possibilities. Since Campion's first short film Peel won the Palme d'Or at Cannes in 1982, she has made her mark internationally as a filmmaker with a distinctive visual and narrative style. Her use of strong female characters has undoubtedly contributed to her films becoming marked as powerful texts for feminist analysis. The recurring themes of madness and desire in Campion's work are prevalent in her debut feature Sweetie (LFF 1989), and a fascination with the darker side of romance is demonstrated by her declared passion for the Gothic literature of the Brontës, and exemplified in The Piano (for which Campion was nominated for a Best Director Oscar in 1993 and won for Best Screenplay, in addition to many other awards, including her second Palme d'Or). In the beautiful Bright Star, Campion sews her signature style poetically through the narrative to help create a sensitive portrayal of a tragic love story in a way that only Jane Campion could. Timothy Smith







Where

BFI NFT1

When
18:30 Tue 20 October

Play: Kurt & Sid at Trafalgar Studios

Kurt & Sid, starring Danny Dyer and Shaun Evans. From 9 September - 03 October 2009 at the Trafalgar Studios, London.

Roy Smiles witty and beautifully poignant new play explores exactly what it means to dice with death when being alive proves to be all too painful and peace seems elusive…

April 1994. A man sits alone in an attic extension on the cusp of becoming a Seattle suicide statistic. This man is no ‘number and name’ to be reported in a local newspaper. He is an icon, albeit a reluctant one. The frontman of Nirvana. is about to pull the trigger of the gun in his hand and join the leagues of rock star deaths down the ages. Without invitation, Kurt has the curious company of a man purporting to be the Sex Pistol’s Sid Vicious, Kurt’s hero.

Whether he is a ghost, a figment of Kurt’s imagination, an hallucination, a dream, or a Punk impersonator remains to be seen as the two musicians, trade quips and quotes about the emptiness of fame, a mutual understanding of drug addiction and self-destruction.

Where
Trafalgar Studios
Whitehall, London, SW1A 2DY

When
Weds 9 September - Saturday 3 October

Trailer for The Twilight Saga: New Moon



Bella Swan is still very much in love with vampire, Edward Cullen. The rest of the vampire coven who call themselves the Cullens, especially Alice, decide to throw Bella a private party for her eighteenth birthday. Things go wrong when Bella slices her finger and thirst overcomes the vampires. As a result of the danger Bella was put through, the Cullen family decide to leave Forks, Washington. At first Bella exempts herself from all social activities, until she realizes she can coexist with childhood friend, Jacob Black. As usual for Bella, things aren't what they seem. Something is happening to Jacob that he can't explain to Bella, and their friendship starts to deteriorate. But when someone from Bella's past comes back to haunt her, everything will change again.



Film Networking : FILM NETWORKING PARTY @ The Kingly Club

You are cordially invited to THE KINGLY CLUB'S FILM NETWORKING PARTY on Tuesaday 15 September, 2009. 9PM till late.

An event exclusiverly for film creatives who want to hobnob & mingle. Come network & make exciting connections in film.


Staged at the chic and illustrious Kingly Club, the event is designed exclusively for film creatives who want to hobnob and mingle. It will be attended by some of the leading aficionados of the movie industry from directors to writers, producers to investors, actors and many others. This will be your chance to come network and make exciting connections that could lead to new and inspiring projects. Or just meet like minded individuals and have a laugh over a cocktail or 2. Or 3.Whilst listening to Fabulous superstar DJ Kris Di Angelis who will be spinning some movie themed tunes.

If you are passionate about the film industry, then this event is not to be missed.

NB: These networking events work via recommendation and word of mouth so do forward this email to anyone else you think might be interested.

Where
The Kingly Club
4 Kingly Court Soho London W1B 5PW

When
Tuesday 15 September from from 9pm

Dan Brown's New Thriller! The Lost Symbol released today

Dan Brown’s new novel, the eagerly awaited follow-up to his #1 international phenomenon, The Da Vinci Code, which was the bestselling hardcover adult novel of all time, will be available today (September 15, 2009).

The Lost Symbol will once again feature Dan Brown’s unforgettable protagonist, Robert Langdon.

“The Lost Symbol is a brilliant and compelling thriller. Dan Brown’s prodigious talent for storytelling, infused with history, codes and intrigue, is on full display in this new book. This is one of the most anticipated publications in recent history, and it was well worth the wait,” said Sonny Mehta, Chairman and Editor in Chief of the Knopf Doubleday Publishing Group.

The Lost Symbol Website and game: http://www.thelostsymbol.com/
The Lost Symbol on Twitter: http://twitter.com/LostSymbolBook
Download a PDF of the book cover now to see all the artwork details: http://www.danbrown.com/pdf/TLS_cover.pdf


Where
Anywhere books are sold or Amazon

When
September 15, 2009

Preview of Thirst and Q&A with Park Chan-wook (Old Boy) in London

Curzon Cinemas is delighted to welcome director and writer Park Chan-wook to discuss his latest film in this post screening Q&A.



A priest becomes a vampire… another man’s wife is coveted… a deadly seduction triggers murder. Sang-hyun (played by top Korean star Song Kang-ho, The Host) is a priest who cherishes life so much that he volunteers for a secret vaccine to eradicate a deadly virus. In the process however, he becomes infected by vampire blood and his faith is tested further when a childhood friend’s wife, Tae-ju (Kim Ok-vin), comes to him asking for help. Sang-hyun soon plunges into a world of sensual pleasures, finding himself on intimate terms with the Seven Deadly Sins. The new film from acclaimed director Park Chan-wook (Old Boy) was jointly awarded the Cannes 2009 Jury Prize.




Where
Curzon Soho
99 Shaftesbury Avenue, London, W1D 5DY

When
6:10pm, Monday 5 October, 2009

The Times BFI 53rd London Film Festival: Julianne Moore Talk

One of the most daring and talented actors of her generation comes to the BFI to discuss her diverse slate of work.



When she first appeared in feature films, Julianne Moore garnered much attention for her talent and her presence on screen, with roles in films such as Short Cuts (LFF 1993) and [Safe] (LFF 1995). A number of Oscar nominations and a slew of other awards followed, for her roles in Boogie Nights (LFF 1997), The End of the Affair, Far from Heaven (LFF 2002) and The Hours. By cleverly positioning her career across both the mainstream studio system and independent film, Moore has been able to use her status at the box office to help independent directors find funding for projects that otherwise may not have been made. Although she always brings individuality and originality to the diverse range of roles that she chooses, Moore has a rare skill of being able to play characters in a natural and believable way that audiences often relate to, whilst at the same time highlighting the complexities of a character (few other actors could play a porn-star cokehead with such tenderness and sensitivity). The range and diversity in her talent are especially evident in her portrayal of a wife and mother in Atom Agoyan's Chloe and almost the antithesis of that in Tom Ford's A Single Man. Timothy Smith







Where
BFI NFT1

When
18:30 Fri 23 October

Film Networking : Raindance Boozin' N' Schmoozin" this Monday

Raindance hold an informal networking drinks on the 2nd Monday of each month called Boozin' n' Schmoozin'.

Talk is cheap!


As always, our popular and informal networking event featuring film related chit chat, an opportunity to catch up with old buddies from past RD courses and a damn fine way of connecting with like minded filmmakers.

And much beer drinking... (cash bar!)

Who should attend:
Anyone interested in filmmaking!!

Where
Downstairs at the Royal George
Goslett Yard, 133 Charing Cross Rd, London, W2CH 0EA
Nearest tube Tottenham Court Road.

When
Monday 14 September from 6:30pm

Kevin Smith appearing at Forbidden Planet, London

Mother flipping Kevin Smith will be popping into Forbidden Planet to sign copies of his new book 'Shootin’ the Sh*t – The Best of SModcast'.


Shootin’ the Sh*t – The Best of SModcast are the captured freewheeling conversations with his friend and producer Scott Mosier (as heard on their top-rated podcast, known as SModcast), we discover — to pick just four random examples of the riches therein — the genesis of Stalin’s Monkey Soldier army, the horrifying tale of Kevin vs. Steak Tartare, how to make bukkake eggs, and how Kevin was once willing to let Alanis Morissette get mugged...

Defiantly lewd, crude and hilariously rude, Shootin’ the Sh*t with Kevin Smith is a must for all his fans!

Where
Forbidden Planet Megastore,
179 Shaftesbury Avenue, London, WC2H 8JR

When
Tuesday 6th October 6 – 7pm.

Classic screening: John Carpenter's The Thing


In a windswept Antarctic research facility, a group of American scientists are terrorised by a shape-shifting extra-terrestrial.

After a helicopter from a neighbouring Norwegian camp is destroyed pursuing a dog and the crazed pilot shot, MacReady (Kurt Russell) and a small team set off to investigate. A grisly discovery awaits them: the camp is populated by mutilated corpses and there's evidence of a long-frozen UFO. Back at the base the stray dog wreaks havoc, undergoing a grotesque transformation and killing the other hounds before being burnt to death. An autopsy on one of the bodies from the Norwegian camp reveals that a chameleon-like alien that can take the form of whatever it kills is at large - and any one of the team could be its host. In an astonishing finale, bodies are ripped apart and limbs are lopped off as paranoia breeds hysteria and the crew are picked off one by one...




Where
Cineworld Cinema (TBC)

When
15 September, 2009

Trailer for Solomon Kane: There are many paths to redemption. Not all of them Peaceful.


Finally a trailer for Solomon Kane! Written by Robert E Howard the creator of a huge host of characters including; Conan, Red Sonja, and Kull the Conqueror. Solomon Kane was a puritan that wondered the face of the Earth with no destination and a zero tolerance for evil. Think a middle ages Clint Eastwood that encounters supernatural beings. Apparently this is the first in a trilogy and if the trailer is anything to go by it looks kick ass. Hopefully it won't be another big budget fantasy film that disappoints in the same way Van Helsing and The League of Extraordinary Gentlemen does.

At one point Christoper Lambert (Highlander) was going to be Solomon Kane, which would have been interesting. However after watching "The Philanthropist" (first couple of episodes are mediocre, but Purefoy shines) I was keen to see James Purefoy as the stoic Solomon Kane. Looking at the trailer it seems the film is an adaptation of " The Castle of The Devil" and "The Sword of Solomon Kane". Both of which were released in comic format recently.



Jason Flemyng one of the stars of Solomon Kane recently hosted a Q&A for Kick Ass. I was kicking myself afterwards as I did not know he was in Kane. A missed opportunity to gain some insight into the treasure chest of Solomon Kane.

Michael J Basset writer & director of Solomon Kane can be found here on Twitter @michaeljbassett and his blog is http://michaeljbassett.wordpress.com/!

Paul Berrow Producer of Solomon Kane can be found on Twitter here @paulberrow

Expected release date:
France 18 May 2009 (Cannes Film Market)
Canada 16 September 2009 (Toronto Film Festival)
Russia 31 December 2009
Netherlands 14 January 2010

Friday Film Location: Notting Hill, London UK

Being obsessed with film, everything film related especially the more tactile aspects of filmmaking - I have loads of film related trivia to offer that will be of interest. One of my low maintenance hopefully high interest ideas is Friday Film Location. Every Friday I am going to put the spotlight on a location used in a film.

For the premiere Friday Film Location post I'm playing it slightly low key and bringing you a much loved local London location. This location has many, many fans and seems particulary popular with Japanese fans, or so my Flickr stats tell me.

Can the most famous film star in the world fall for just an ordinary guy?

Notting Hill
Stars: Julia Roberts - Anna Scott, Hugh Grant - William Thacker, Rhys Ifans - Spike, Dylan Moran - Rufus the Thief.

Notting Hill is a classic; boy meets vey famous girl and romance kind of follows. It's probably one of the most liked romantic films of the 90s. Notting Hill is the highest grossing British film yet released.

One of the characters in the film is Will's house at 280 Westbourne Park Rd which plays a pivotal role in Will & Anna's relationship. Many recognise the Blue Door as the entrace to Will's house. As seen in the scene where Spike is papped outside the door in his underwear.

The house behind the door is actually not used in the film and the house we see on screen is writer Richard Curtis's home.

The door has subsequently been sold to deter fans (and others) from mobbing or damaging it. The new door has been painted black and the entrance is no longer blue but cream.






View Larger Map

Trivia:
Look out for a 12 year old Marsden Barton. Grants charater Will pretends to interview for Horse & Hound magazine.


Where:
280 Westbourne Park Rd, London, W11

The Times BFI 53rd London Film Festival: Lee Daniels - Script Factory and NFTS Masterclasses

The remarkably gifted producer-turned-director discusses his work, including his powerful new feature Precious.



Few people have the qualities needed to be a successful producer and even fewer have those needed to be a successful director. Lee Daniels' natural skills as a producer allowed him to make Monster's Ball (for which Halle Berry won an Oscar) as his first film. He then went on to gain further critical acclaim as a producer with The Woodsman (LFF 2004). Daniels is an extremely creative producer with a strong vision. He is so secure and determined in the way he envisages his films, and so hands-on as a producer that it was natural (and inevitable) that he would try his hand at directing. Daniels believes that he learned a great deal from his debut directorial experience on Shadowboxer, and that this made him an even better producer on his next project, Tennessee. This also started his fruitful collaboration with Mariah Carey, who stars in that film as well as playing a supporting role in his new offering Precious which he has directed and produced. In this deeply moving and powerful film, Daniels expertly balances the absolute horror of the title character's experience with humour and fantasy, and proves that all of the heart and soul he puts into his films is definitely paying off. Timothy Smith







Where
BFI NFT1

When
13:00 Sat 24 October

The Times BFI 53rd London Film Festival Screening: Fantastic Mr. Fox

Wes Anderson works with stop-motion animation and an outstanding voice cast to bring Roald Dahl's much loved story to the screen.



In his first animated feature, Wes Anderson proves the perfect filmmaker to bring Roald Dahl's much-loved story to the screen.


Mr and Mrs Fox live an idyllic home life with their son Ash and visiting young nephew Kristofferson. But, after 12 years, the bucolic existence proves too much for Mr Fox's wild animal instincts. Soon he slips back into his old ways as a sneaky chicken thief, and in doing so endangers not only his own beloved family, but the whole animal community. Trapped underground with not enough food to go round, the animals band together to fight against the evil farmers Boggis, Bunce and Bean, who are determined to capture the audacious, fantastic Mr Fox at any cost. - Sandra Hebron








Where & When

Wed 14 | 19:00 | ODEON LEICESTER SQ.
Thu 15 | 13:15 | Vue Screen 7
Thu 15 | 18:00 | Vue Screen 5
Sat 17 | 13:15 | Vue Screen 7

The Times BFI 53rd London Film Festival Screening: 44 Inch Chest - Film on the Square

Ray Winstone and friends behaving very badly in this powerful drama of a wronged husband trying to regain his self-respect.


Anyone inclined to bemoan the shocking behaviour of young people would be advised to take a look at 44 Inch Chest, which features some spectacularly foul mouthed and habitually violent behaviour from a group of men well beyond any flush of youth. This debut feature by Malcolm Venville from a script by Sexy Beast writers Louis Mellis and David Scinto is a powerful drama of a wronged husband trying to regain his self-respect. Colin (Ray Winstone) is devastated when his wife announces she's leaving him for a younger man, and when we first meet him he is sprawled drunkenly amidst the wreckage of their final argument, as Nilsson's 'Without You' loops in the background. This virtuoso opening really sets the tone for what follows, aggressive and maudlin by turns. Colin's motley crew of old friends (John Hurt, Ian McShane, Tom Wilkinson, Stephen Dillane) rally to his aid, though their plot to kidnap the lover and push Colin into taking revenge is misguided in conception and inept in execution. A provocative and darkly funny study of masculinity at its most troubling, 44 Inch Chest gives the actors full rein to explore the male ego pushed to its limits, and this wonderful ensemble certainly rise to the task. - Sandra Hebron









Where & When

Sat 17 | 18:00 | Vue Screen 5
Sat 17 | 18:15 | Vue Screen 7
Sun 18 | 16:15 | Vue Screen 9
Mon 19 | 13:00 | Vue Screen 5

Play: The Shawshank Redemption at Wyndham's Theatre

Based on the 1982 Stephen King novella, The Shawshank Redemption tells the story of Andy Dufresne, who is sentenced to life in Shawshank Prison after being convicted of murdering his wife and her lover. Stripped of his freedom, Andy is forced to endure a spirit-crushing routine, but with his quiet strength and inner courage there is one thing Andy never loses: hope.

Andy Dufresne is convicted of murdering his wife and his lover and is sent to the notorious Shawshank Prison to serve two life sentences.

Stripped of his life, family and freedom, Andy is forced to endure a spirit-crushing routine. But with his quiet strength and inner courage, there is one thing that Andy never loses - and that is hope.

This unforgettable story of courage, friendship and daring to hope stars Kevin Anderson (Sleeping with the Enemy, member of the acclaimed Steppenwolf Theater Company) and Reg E. Cathey (from cult US television The Wire).


Where
Wyndham's Theatre
32-36 Charing Cross Road
Leicester Square, London, WC2H 0DA

When
4 September 2009 onwards

Preview: The Soloist


LA Times columnist Steve Lopez is in desperate need of a story when he encounters Nathaniel Ayres, a homeless schizophrenic possessing a violin with just two strings. Ayres, Lopez discovers, possesses a remarkable talent for music and was once a precocious classical cellist. Documenting Ayres' story in his column, Lopez, with a little help from his readers, endeavours to help Ayres realise his potential, and finds his own life transformed in the process.



Where
BFI, NFT1

When
Wed 16 Sep 18:20

Play: Speaking in tongues, Duke of York's Theatre


In the highly charged thriller SPEAKING IN TONGUES, the basis for the film Lantana, the seemingly random confessions of a group of strangers are pieced together by a detective investigating the disappearance of a leading psychiatrist. A powerful study of infidelity and interwoven lives, the play stars John Simm (Life on Mars, State of Play), returning to the stage to lead an exciting cast including Ian Hart (The Virgin Queen, Harry Potter and the Philosopher's Stone), Lucy Cohu (The Queen's Sister, Torchwood) and Kerry Fox (An Angel at my Table, Shallow Grave).

SPEAKING IN TONGUES will have its West End premiere at the Duke of York's Theatre. Writer Andrew Bovell's previous work includes Baz Luhrmann's Strictly Ballroom, When The Rain Stops Falling at the Almeida Theatre and his own adaptation of SPEAKING IN TONGUES into the internationally acclaimed film Lantana.



Where
Duke of York's Theatre
St. Martin’s Lane, London WC2N 4BG

When
From 18 September to 12 December.

www.speakingintonguestheplay.com

Exhibition Bridget Bardot and the Original Paparazzi.

Coinciding with the 75th Birthday of Brigitte Bardot on 28th September 2009, James Hyman Gallery presents an exhibition of 75 vintage photographs by some of the most famous paparazzi photographers.

Presented at the same time as London Fashion Week (18-22 September) Brigitte Bardot and the Original Paparazzi focuses on one of the greatest fashion icons of the twentieth century.



Brigitte Bardot . In her day she was quite something, as this exhibition of vintage photos shows. She had a very different relationship to the paparazzi than today; no peeping nips here, she oozed coquettish sophistication.

The word paparazzo in fact is derived from a character in Fellini’s La Dolce Vita, and in this context it’s redolent of a time when the paps mixed with the likes of Sinatra and Bardot on the Côte d’Azur. Come see some marvellous photos of Brigitte in her prime and also some amazing candid shots from films such as Le Mépris – one of the top ten movies ever – in which cinematic glamour went hand in hand with art-house cool. Runs until 3 October.

Where
James Hyman Gallery, 5 Savile Row, W1

When
10-6pm Monday-Friday, 10-2 Saturdays

Screening of MOON and Q&A with director Duncan Jones this Friday in London

On Friday 11th September The Prince Charles Cinema (Leicester Sq) have a VERY Special Q&A with Duncan Jones, Director of Moon!

Moon is playing upstairs all week on their brand new screen, however grab this chance to talk to the man who made this spectacular film.


MOON
Sam Bell has a three year contract to work for Lunar Industries. For the contract's entire duration, he is the sole employee based at their lunar station. His primary job responsibility is to harvest and periodically rocket back to Earth supplies of helium-3, the current clean and abundant fuel used on Earth. There is no direct communication link available between the lunar station and Earth, so his only direct real-time interaction is with GERTY, the intelligent computer whose function is to attend to his day to day needs. With such little human contact and all of it indirect, he feels that three years is far too long to be so isolated; he knows he is beginning to hallucinate as the end of his three years approaches...



Director: Duncan Jones
Starring: Sam Rockwell, Kevin Spacey (voice), Matt Berry, Robin Chalk

Where
The Prince Charles Cinema
7 Leicester Place, WC2
Just north off Leicester Sq & up from Häagen-Dazs

When
21:00 Fri 11th Sep Moon plus Q&A
Tickets onsale 5pm Today (Tuesday 8 September)

Preview of Le Donk & Scor-zay-zee and Q&A

Preview of Le Donk & Scor-zay-zee and Q&A with Shane Meadows, Paddy Considine and Mark Herbert.

Rock roadie, Le Donk, has lived, loved and learned. Along the way, he's lost a classy girlfriend but gained a sidekick, Scorz-Ayz-Ee. He sets out to make Scorz a star with a little help from the Artic Monkeys.

 A freewheeling, no-budget experiment by one of the UK’s most prominent and successful producer/director teams, LE DONK was born out of Shane Meadows’ and Mark Herbert’s frustration at the sheer expense of time and money required to get a new project off the ground. Why not just get together an enthusiastic team (including the actor often cited as the De Niro to Meadows’ “Scorsese of the Midlands”, Paddy Considine), cobble together a skeleton script, and simply play for a few days? So, Considine broke out an earlier comic creation of his, an endearing/repellent rock’n’roll roadie known as Donk; an Arctic Monkeys gig provided the backdrop; and Meadows played himself, as a documentary-maker seeking to capture the secrets of a life lived just beyond the reach of the bright lights. Irrepressible fun.



When:
Curzon Soho
99 Shaftesbury Avenue, London ,W1D 5DY
Where:
Sunday 11 October, 4:00pm

Curzon Screen Salon: Special Preview of The Imaginarium Of Dr Parnassus

THE IMAGINARIUM OF DR PARNASSUS AND THE FANTASTIC WORLDS OF TERRY GILLIAM

This Curzon Screen Salon will look back over Terry Gilliam’s career, which has featured as many tragedies and disappointments as it has successes. The Curzon Screen Salons are a series of illustrated lectures before our regular screenings hosted by Ian Haydn Smith, Editor of the International Film Guide.


Dir: Terry Gilliam Starring: Christopher Plummer, Heath Ledger, Tom Waits,

A director seemingly affiliated with bad luck, that Terry Gilliam got to complete this at all is a minor miracle. A fantastical morality tale set in present-day London (for the most part at least), the alternate realities Gilliam spins will be more than familiar to fans of TIME BANDITS and BRAZIL. With more than a hint of Doctor Faustus, the film’s kernel is an ambitious travelling magician whose ambition has caused him to enter a number of deals with the devil, the most personally damaging of which has seen Parnassus (played impeccably by Plummer, THE NEW WORLD) trade immortality for his daughter (Lily Cole) on the occasion of her 16th birthday. A characteristic feast for the senses, the film is a fitting epitaph to Ledger, whose character is also ably portrayed in its transformative states by Jude Law, Colin Farrell and Johnny Depp. Extremely entertaining, the film also has at its heart a larger than life turn from Tom Waits as the devil

Where:
Curzon Soho
99 Shaftesbury Avenue London W1D 5DY

When:
Sunday 11 September, 5pm

Preview of AWAY WE GO plus Live Satellite Q&A with Sam Mendes

Clapham Picturehouse are delighted that director Sam Mendes (AMERICAN BEAUTY, REVOLUTIONARY ROAD) will be joining them for a satellite Q&A following a preview of his new comedy, AWAY WE GO (15).


Thirty-something Burt (Krasinski, JARHEAD) and his heavily pregnant partner Verona (Rudolph) decide to leave Colorado and travel across America in search of the perfect place to bring up baby. Their road trip takes them to Arizona, Wisconsin, Montreal and Florida, and into eye-opening experiences in the company of assorted friends and relatives.



Where
Clapham Picturehouse
76 Venn Street, London SW4 0AT
Tel: 0871 704 2055

When
10-6pm Monday-Friday, 10-2 Saturdays

Special Preview of Michael Haneke's The White Ribbon (Das weiße Band )


Strange events happen at a rural school in the north of Germany during the year 1913, which seem to be ritual punishment. Does this affect the school system, and how does the school have an influence on fascism?

Where:
Curzon Mayfair
8 Curzon St
London
W1J 7TY

When:
Sunday 8 November, 5:30pm Sep 2009

Classic screening: The Rocky Horror Picture Show



















Restoring the Midnight Movie to Chelsea, Curzon’s popular strand of late-night attractions hosts a special screening of cult classic The Rocky Horror Picture Show, with full audience participation. Join Janet and Brad as they enter the musical world of alien transvestites and Time Warps in one of the must-do events in life! Dressing up is essential and don’t forget to bring the essentials: rice, newspapers, water pistols, torches, rubber gloves, confetti, toilet paper, toast, party hat, bells and cards. Plus, all ticket holders receive a complimentary Jameson cocktail.

Where:
Curzon Cinema Chelsea
206 Kings Road
London
SW3 5XP

When:
Friday 18 September,10:30pm

Using a Clap board, clapper board, Clap slate

Using a Clapper
1. Color Reference Stripes
2. Running Time Code
3. Scene Number
4. Take Number
5. Camera Roll Number
6. Director
7. Director of Photography (D.O.P.)
8. Date
9. Episode Number (if filming for TV)

View the original document on Scribd


The Clapper 1. Color Reference Stripes These stripes serve as a standard color reference for the people who edit episodes of Andromeda, so that they can make sure colors are true-to-life (unless they are intended to be otherwise). Because the colors are always in the same place on the clapper (i.e., Red is always first, Blue is always second, etc.), the editors will immediately know they have to fix something if the colors on the clapper appear out of place. 2. Running Time Code Each frame of film used in the making of Andromeda has a number assigned to it. The numbers you see in the digital display on the clapper are the numbers being assigned to the frames of film being shot as you watch. These frame numbers come in handy when directors, editors and other behind-the-scenes folks leave notes for other Andromeda workers: They can indicate exactly which piece of film they're talking about without having to resort to descriptions like "It's the scene where Dylan fires his force lance." Frame numbers are much more accurate and get the job done more efficiently. 3. Scene Number In each episode of Andromeda, each scene has a number. The scene number is indicated on the clapper so that the film being shot shows the same system of scene numbering as the script. In the image above, scene 26 is being filmed. 4. Take Number Each time the actors perform a given scene, it is called a "take." Take numbers are shown on the clapper so the editors can understand the director's instructions when he or she indicates which performance of a given scene should be used in the final cut of an episode. In the image above, Take 1 is being filmed. 5. Camera Roll Number This is just like the film you shoot in your camera on vacation: Sometimes you shoot so many rolls of film, you have to number them in order to keep track of them. It's the same situation here. Each physical roll of film (which can be used to shoot up to 20 minutes of footage) used to make Andromeda gets a number. Most of that film is transferred to videotape and/or digital format for editing into the final product. If, for some reason, a picture problem is spotted in editing, the Camera Roll Number tells the editors can see exactly which roll of film to look at to see if there was a bad spot in the film, or if the problem lies elsewhere. 6. Director The name of the person directing the episode is shown on the clapper. The director oversees every aspect of production and has final approval on many decisions made about an episode. 7. Director of Photography (D.O.P.) Also often referred to as the cinematographer. The D.O.P. oversees the composition of each and every shot used in an episode of Andromeda. 8. Date Clappers used in production of Andromeda show the exact date on which any piece of film was shot. 9. Episode Number (production) Andromeda clappers also feature the production episode number. This number differs from the numbers you eventually see in the Official Episode Guide because the shows are often filmed in a sequence different from the order in which they are broadcast. So while production episode #509 is the ninth episode filmed for that season, it may be broadcast as the fourteenth episode of that season, making it broadcast episode #514. The Official Andromeda Episode Guide uses the broadcast episode numbers to identify specific episodes.

For full certification to operate a clapper board. One has to be able to mark up:

Production information: Director, Director of Photography, Production Company and Production title

Scenic information: Day or night, interior or exterior, stock numbers, scene and slate numbers, take numbers, roll numbers, pick-ups, guide tracks, syn/MOS, A and B cameras and symbols

Additional information: Camera speed, shutter angle, filtration, reverse running, lens, stop

Sources: Call sheets, stock cans, script supervision or DOP